For me, Wimbledon’s culinary renaissance began in earnest
when The Lawn Bistro opened last year. Whatever the merits of the food at Claude Bosi’s
revamped Fox and Grapes – and early reports were decidedly mixed – I can’t
forgive him for so drastically changing a pub that didn’t have anything wrong with
it. It’s now the sort of place where just popping in for a pint seems frowned
upon, and dogs are almost certainly no longer welcome. If such a wholesale
reinvention were necessary, the pub label should have been dropped entirely:
it’s blatantly no longer anything of the sort.
Like the old Fox and Grapes, Lydon’s restaurant was a relic
of the old Wimbledon Village. Unlike the Fox and Grapes, however, its loss went
largely unmourned. Lydon’s offered a certain nostalgic charm: nearly everything
was wheeled out on trolleys – the fish of the day, desserts, cheeses – and the
menu was from an era when the prawn cocktail represented the height of
sophistication. It really was the restaurant that time forgot, the sort of
place where you could imagine the Major from Fawlty Towers stumbling in half-cut
to report on affairs at the local cricket club. But the novelty had largely
worn off by the time the (sizeable) bill had arrived and you realized that the
place’s only merit was to allow people who remembered, possibly even fought in,
World War I to have a smartish meal out.
Exit Lydons, enter the Lawn Bistro and chef Ollie Couillaud.
I first got wind of Couillaud when he took the helm at The Hansom Cab in Earl’s
Court Road shortly after Piers Morgan bought it and tried to reinvent himself as the Kensington posh boys’ favourite publican. I knew the Cab well: the Oddbins
where I worked was just around the corner and the since deceased Kensington
Arms, where many of my friends had jobs, was one street over. The Cab’s transformation
from non-descript-but-convenient dive into a place with gastronomic ambition
intrigued me, not least because I was starting to get more serious about food
writing at this point. It’s a shame I failed to visit it at the time because
now it’s part of Marco Pierre-White’s empire of overpriced mediocrity, I almost
certainly never will: I haven't the remotest desire to pay the best part of £10 for
a bowl of soup. But Couillaud’s name stuck in my mind.
Chef Couillaud has quietly developed a bit of a reputation
in foodie circles that dates back to his early days at Chez Bruce and La Trompette. The connection with the latter was immediately obvious on my first
glance at The Lawn Bistro’s menu, which features a main of cod with vanilla
vinaigrette. I remember a very similar dish the only time I dined at La
Trompette: this slightly bizarre and overpowering flavour combination was the
one bit of the evening I didn’t thoroughly enjoy. While my nineteen-year-old taste
buds weren’t perhaps as adventurous as they are now, I feel my opinion on
fish-pudding hybrids is unlikely to have evolved too much. So I knew immediately
what I wasn’t going to order, because I wanted very much to like The Lawn
Bistro.
I didn’t have to try very hard. A smooth operation that
impressed to varying degrees at every stage of the meal – even the homemade
bread (below, top) was more than an afterthought – the Lawn Bistro’s food isn’t actually of
the razzle-dazzle or overly challenging variety despite the presence of vanilla
and cod on the same plate. Like the restaurant I most recently raved about, The Empress, it’s more about confident execution of quality ingredients and the odd
little flourish, and much the better for it. My starter of mackerel escabeche
(below, bottom) was the kind of gutsy fish dish I tend to rave about, the pickled flavours coming
through strongest in the accompanying vegetables rather than overpowering the
mackerel itself. I’m unsure about the finer aspects of preparing escabeche so
don’t know if crisp skin is even possible, but if it is, it would have been an
added plus. The accompanying green olive crostini offered a bit of saltiness
and crunch and rounded out the plate amply.
Al began with crab and scallop tortellino. Also close to
faultless, her only worry was that she opted for the obvious girly option.
Looking a bit like a fine sculpture when it arrived, it was lightly bathed
rather than swimming in the champagne veloute, the pasta not too soft, and the
delicate flavours of the fish melding together nicely with the subtly sweet fennel.
Personally, I’ll always cross the supposed gastronomic gender divide – what a
load of absolute bollocks it is though – when this is the kind of pay-off I can look forward to. For more alpha male types, the duck hearts would no doubt have
sufficed at this stage of the meal.
Mains were of a similarly high quality. Al didn’t rave about
her seared tuna with caponata, which I put down to previous holidays in Sicily
and also, cue smug face, my own homemade version of the stuff. Though it might
have underwhelmed her, it was in fact very good. It is staggering how often
tuna ordered rare arrives looking like something ready to be pureed and turned
into cat food. This, on the other hand, was the real deal: cooked to
medium-rare perfection and accompanied by a caponata that was much better than
just competent. Chunky, and with the vegetables cooked al dente in a way that
only really good chefs can pull off, it was authentic rather than refined and
wouldn’t have been out of place in San Vito lo Capo. The accompanying broad bean humus grabbed me
as simple yet a bit special, and a clever nod to Sicily’s North African and
Arab influences.
My duck magret was the standout savoury dish of the meal,
everything about it reeking of perfection: the duck was beautifully pink, the
fondant potatoes classically crisp on the outside and smooth inside, and the
Jerusalem artichokes turned into an earthily sweet puree. Cherries brought the
fruit punch needed to cut through the richness of the duck breast, while the
port jus bound everything together and added an extra layer of richness just in
case I forgot what a wonderfully indulgent plate of food this was.
But if I thought my meal had peaked with the excellent duck
main I was wrong. My mango-filled chocolate fondant with honeycomb ice cream
was simply epic, a real technical masterpiece. A little cakey on the outside
and stupendously gooey inside, the mango lightened the weight of the chocolate,
the cooling honeycomb ice cream cut through its intensity, and the sweetness of
both countered the bitter cocoa flavours with aplomb. It was also a beautiful
sight to behold - the kitchen employed the increasingly widespread paintbrush technique first brought to my attention by Wylie Dufresne a year or so ago on Masterchef. While it
must give every kitchen porter nightmares (it doesn't willingly budge from the plate), it’s incredibly easy on the eye and, thankfully, I’m not doing the
washing-up. Any complaints? I would have liked more of the little wafery things
that accompanied the ice cream: not just for show, they were absolutely
delicious.
Al’s trifle also comes highly recommended. Consisting of
shavings of white chocolate, seasonal blood oranges, a proper grown-up sized
splash of booze, and a bit of texture from some almond, I can't think of many pudding fanciers who wouldn't be severely tempted by it. Another stunning visual spectacle, it was comfort food with serious swag.
Mr C also treated us to a taste of his glazed lemon
tart, which was a final master class in technique. Being a bit of a pleb when
it comes to puddings, I was left gobsmacked as to how it managed to set and
stay in one piece given the fantastic creaminess of the tart lemon custardy
stuff inside, which was just zesty enough to cut through the rich buttery pasty
without leaving you with too much of a sour face. If other parts of the meal revealed a well-travelled chef
with a penchant for the more rustic aspects of Mediterranean cooking,
this series of puddings showcased his more classical roots and French
flair.
Everything came to just under £100 – fairly priced if not
exceptional value - including soft drinks, tea, and service but not including
the extra sweet or the complimentary fizz that Al definitely approved of –
pedants, consider that my full disclosure. Those operating on a stricter budget
should bear in mind that we were largely on the wagon that night and the tab
still hit the century mark. A good bottle from the well-thought out wine list would
have increased the damage by around £25-30.
Improving upon Lydon’s wasn’t exactly the kind of the task
that would necessitate a culinary genius, but The Lawn Bistro has raised the
bar several notches. Prior to its arrival, the gastronomic state of affairs in
SW19 could have been described in a number of ways, none of them particularly
positive or encouraging. I have heard old school toffs and yummy mummies alike
defending the ‘reliable’ food on offer at Pizza Express and Carluccio’s,
damning the local Indian and Chinese restaurants with similar praise, and
pointing to The Lighthouse and Fire Stables as examples of quality dining
options.
Less tactful than most Wimbledon types, I would have called
it absolutely shitting awful and I secretly suspect that all the people who
offered these over charitable appraisals were, like me, mourning the loss of
Kastoori in nearby Tooting and trying to get a table at Manson or the Harwood Arms in SW6. Now the ante has been well and truly up and locals need no longer try and hide their despair or sneakily venture
to Putney or Fulham for a decent meal. Couillaud serves exactly
the sort of food one used to seek out in South and West London’s posher
postcodes with only occasional success. It sure did take a while, but Wimbledon has at long
last got the sort of proper restaurant it deserves. Proving that good things
do come (eventually) to those who wait, rumours are that The Lawn Bistro isn't the only quality recent opening in town, so let's hope that the area's more established eateries finally up their game. They'll have to if they want to compete with this kind of food.
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